Industrial Design And Engineering Design Cultural Studies Essay

Industrial Design And Engineering Design Cultural Studies Essay This paper gathers views in the literature on design thinking and representation of design processes from the point of view of industrial design and engineering design. The paper conducts a critical review of texts dealing with differences and similarities in design processes in the field of industrial design as opposed to engineering design, with particular attention to the elements of creativity in product design. The design of a consumer electrical appliance such as a hair dryer and the larger dimensions of car design are areas where what an industrial designer might do and what a design engineer might do can be usefully compared and contrasted. The paper goes on to survey the field of product design from a different perspective, that of art. It takes up the challenge to traditional design by the Bauhaus movement in Germany in the1920s to 1930s, and the Memphis movement of the 19760s to 1980s. It is a valid question, apart from the how of product design, to ask whether new movements or initiatives might easily change the what of the design world, and through emphasis on fashion and style both industrial designers and engineering designers might find themselves creating new, more creative patterns and products. Background The combined shortage of designers and demands of manufacturers led to criticism of industry by such designers as William Morris and John Ruskin who could see that separation of design from the processes of production had influenced esthetic quality (Haskett 1977). This paper explains how industrial design focuses on user interface and esthetic quality. At the same time engineering design has become a key element in product design, applying engineering principles to developing components, systems and processes to meet specific needs. A concept of an artisan, craftsperson, who is totally free to invent art forms and create designs, with no restriction, is not reflected in the history of art and craft, whether in Europe or in Asia. There is the economic restriction that there must be a user who purchases the work or supports the craftsperson; and it should be kept in mind that craft requires a properly equipped workplace and usually workers. There is the social reality of the acceptance of the work of a craftsperson and the general estimation of its value. Thus in focusing on the inseparability of invention and execution as it may be applied to design, the anachronistic idea of individualism need not be introduced in order to understand the creative process. A key condition is the ability of craft to produce the designs that emerge. Technology has, essentially, made that a very possible prospect. Further, in terms of a reciprocal effect of design on craft, the use of computerised design and the production of computer software to meet designers demands, along with the common feedback effect on production of new computer hardware, can mean that craft and design can contribute to each other. The Collins English Dictionary defines technology as the application of practical sciences to industry or commence, or the total knowledge and skills available to any human society for industry, art, science, etc. (1995). Barras (1986) has argued that the typical course of development in services has been from process innovation and focus on the new product design and market, then moving to achieving economies of scale and low costs. The decline of the traditional craft apprenticeship system meant that craftspeople became more familiar with others in in terior, industrial, theatre and product design, and with architecture, fashion, and performance art (Margetts 1989, pp.9-10). Although an industrial-design profession did not exist in the late nineteenth century, the architect Frank Lloyd Wright articulated its principles in 1901 by advising artists create prototypes for factory reproduction rather than to produce craft work. After 1900, manufacturers tried to give new form to electrical appliances, cars and other new technologies. In the 1920s, some decorators took up French modern styles, and Art Deco was adopted in the late 1920s. The Bauhaus school of art and design, closed by the Nazi regime in 1933, established a relationship between design and industrial techniques as well as between fine and applied arts (Chilvers Glaves-Smith). From there, there has been rapid growth in the design of manufactured products. Henry Fords rigid standardization, interchangeable parts, and special-purpose machine tools complemented Fords introduction of the assembly line in 1913, resulting in vastly increased production volume and relentless cost reduction. Global competition in the 1980s and 1990s impelled designers to give form to the hardware and software of the information age. Quality became a key criterion also (Volti 2005). Affective design that is able to translate human affections into product design specifications has been widely accepted as an effective tool for product development. It enables designers to identify product features that can meet consumer needs to feel satisfied with a product. Affective design knowledge can help designers improve product design (Zhai et al. 2009). Environmentally friendliness of consumer products is another aspect of design, but it has been observed that consumers need to be reminded of ecological issues when actually using the product. It is worth noting that it is a holistic, life-cycle-based analysis that will enable the designer to assess the environmental impact of design options: environmental damage can occur as toxic emissions during production, energy consumption during use, or toxic waste during disposal (Saue et al. 2002). As far as the larger environment is concerned, the US electrical industry has contributed played a part in the use of consumer goods ( Carlson 2001). Design encompasses these issues. Industrial Design Industrial design may be defined as The ideation, specification, and development of functions, properties and concepts of industrially manufactured products and systems, mainly regarding aspects of user-products interaction, aesthetics and identity considering a totality of ergonomic, usability, technical, economic and social factors (Warell 1999). Industrial designers are concerned with communicating the quality and function of a product as well as the reputation of the manufacturer object by visual means. The product should be easy, comfortable and safe to use (Dieter 1991, p.111). The industrial designer emphasises the user and the purpose of the product; its esthetic nature, including not only style and appearance but what the product will convey to the owner in emotional terms; and product identity, which may apply to strategic positioning within a specific market and linkages with other products. In the design process the designer has considerable freedom to decide on how an optimal result is achieved (Green Bonollo 2004). This illustrates the way in which creativity informs industrial design. Design is a part of product planning and development that come from the business strategy of the client company and are marketed and distributed in order to await success at the hands of the consumer (Cross 2000, p.198). Analysis of features of competing products, the use of benchmarking, or research into user needs and preferences may take place. Specifications may be elaborated and concepts critically examined (Green Bonollo 2004). Conceptualisation refers to highlights in the creative process. Synectics is a group technique which draws on analogical thinking, identifying parallels between apparently dissimilar topics (Dieter 1991, p.113). A process of rough visualisation through sketching may follow. At some point an industrial designer will have a basic idea of the concept to be embodied in the product-how it works, the overall shape and so on. In this phase the schemes are worked up in greater detail and, if there is more than one, a final choice between them is made. The end product is usually a set of general arrangement drawings. There is (or should be) a great deal of feedback from this phase to the conceptual design phase (Cross 2000). Before selecting a concept, industrial designer needs to consider the availability of technology: if there is no existing technology that can be used for a design, the industrial designer will need to consult with engineering designer. Dorst (2003) argues that the interaction itself has to be designed: the industrial designer should use design techniques such as scenario-based design and storytelling to deal with this issue effectively. A Rapid Prototype model may be made in order to finalise design details. In addition, industrial designers may carry out styling, where components of style are built into their own designs. This can involve materials or techniques, environmental influences or social trends (Mayall 1967). Detailed design issues follow: component parts, nesting, packaging, shipping and marketing issues may be relevant. Colour and placement of the brand name are important (Cross 2000, p 32).Finally the industrial designer uses three-dimensional computer programs such as Solidworks to create actual size 3D models and engineering drawings to be used in production. Engineering Design Engineering design tends to relate to the technical operation of mechanized products rather than their esthetic characteristics. In the automobile industry, stylists were used at General Motors as intermediaries between the mechanical engineers and consumers. What these stylists did was to give cars a visual identity through the shape of the body, grille or dashboard design, or colour choices and interior fabrics (Woodham 2006, p.141). Engineering design is design with particular emphasis on the technical aspects of a product. It includes activities of analysis as well as synthesis. This definition broadly describes what engineering designers do. They may be concerned with aspects of engineering consideration that includes machine elements, solid mechanics, strength of materials, aerodynamics, fluid mechanics, hydraulics, electronics engineering, software and systems engineering, quality engineering, industrial economics and human-factors engineering (Warell 1999). A formal definition of engineering design is found in the curriculum guidelines of the Accreditation Board for Engineering and Technology (ABET). The ABET definition states that engineering design is the process of devising a system, component, or process to meet desired needs. It is a decision-making process (often iterative), in which the basic sciences, mathematics, and engineering sciences are applied to convert resources optimally to meet a stated objective. Engineering design should be creative and use open-ended problems and modern design theory and methodology. The approach process of engineering design is more systematic and problem-focused than industrial design. Engineering design is a sequential process consisting of many design operations. It may include exploring the use of alternative systems, formulating a mathematical model of the best system concept, or specifying subsystem components. It could mean selecting a material from which to manufacturer a part (Birmingham et al. 1997). In the product planning and task verification phase, the roles of engineering designer and industrial designer are similar, though a particular concern of the engineering designer will be what the client requested. Conceptualisation for the engineering designer involves determining the elements and mechanisms to be used in the product. This will often involve formulating a model, either analytical or experimental (Dieter 1983). Before moving to the embodiment stage, it is important for the engineering designer to understand the strengths and weaknesses of mechanisms, concepts or material and be able choose the one most appropriate to the product function. An excellent technique to guide the designer in making the best decision is a scoring matrix, which forces a more penetrating study of each alternative against specified criteria (Haik 2003). Embodiment involves the clear determination of the physical processes which govern the main flows and conversions of material, energy, and information. This stage of engineering design includes building and testing experimental models. Dieter (1983) notes that this phase lays the basis for good detail design by means of a structured development of the design concept. Most of the time engineering design requires experimentation where a piece of hardware is constructed and tested to verify the concept and analysis of the design as to its work ability, durability, and performance characteristics. The design on paper is transformed into a physical reality. Three techniques of construction are available to the designer: the mock-up, generally constructed to scale from plastics, wood, cardboard, and so forth. It is often used to check clearance, assembly technique, manufacturing considerations, and appearance. It is the least expensive technique, provides the least amount of information, a nd is quick and relatively easy to build. The model is a mathematical representation of the physical system. The prototype is the most expensive experimental technique but the one producing the greatest amount of useful information (Haik 2003): In the detailed design stage, the engineering designer may find many complex interrelationships involved in the product. The quality and cost advantage of a product are determined by the level of quality detail. Manufacturing specialists may also be involved. This is now a tested and producible product. The arrangement, form, dimensions, tolerances and surface properties of all individual parts and the materials and manufacturing processes are all specified (Dieter 1983). Communication and preparation for production now follows a sequential flow of operations. Tooling and machinery are laid down. Production cost estimates will be available, but close collaboration with mechanical engineers is necessary and high costs could mean changes in materials and even in design. The colour of a car is usually applied as paint, but paint goes beyond merely esthetic and cosmetic features. Consumers and manufacturers have to face the fact that new investment in vehicles is extremely expensive, and consumers are not inclined to accept alternative or radical designs. Paint is a comparatively cheap way out of this, and plastic components are painted as well. Paint thus keeps the car looking good, but it no doubt inhibits the use of new alternative materials or new manufacturing initiatives in design this in turn could inhibit the extensive adoption of new and alternative materials (Nieuwenhuis et al. 2006). The engineer manages schedules and uses resources after research in the car industry. He or she is also participant and communicator of design. The desire to be more ecologically and environmentally aware has had a major influence on automobile design. Automobile design factors will need to be covered as a broad range rather than just by focusing on particular single consumer requirements. The car has to meet human needs but also to be environmentally friendly. This will entail: (1) technological support for automobile design, (2) product innovation for various automobile prototypes (low emission car, high efficiency car, friendly car, advanced safety car), and (3) design methodologies (e.g., CAD-CAE-CAM, real time simulations, rapid prototype systems, parameter design technologies) (Ardayfio 2000). Design innovation, often pushed by customer needs and expectations, enables companies to gain leadership in an extremely competitive global marketplace. But products need to go beyond customer expectations. Industrially also, innovation is needed to remain competitive (Ardayfio 2000). Art and Design Apart from the creativity of design, there is the excitement of design. Bertola (2003) argues that design is a multifunctional activity. It can take many forms to adapt to contextual infrastructures, that is different organizations and purposes. Design can act as a knowledge broker, flowing from outside to inside companies. Design, if it is seen as a knowledge process that can adapt, can also be seen as an opportunity to support innovation in a particular context. This paper began with reference to creativity in product design. Button (2000) takes up the concept of ethnography in relation to design. Ethnographical field work has tried to analyse foreign cultures from the inside, developing theories about exotic cultures. But design in a Western culture can also be seen in terms of ethnography. This is particularly so in the context of industrial design, whose origins are quite recent. Ethnomethodology suggests that it is just not possible to go beyond the knowledge possessed by members of a society about what they do. Whatever explication given by the ethnographer may not be of interest to design engineers, for example, but the substance of his or her report should be recognisable to them. From an anthropological or sociological point of view, there is some logic in this. However this paper, building on what has been said about industrial design and engineering design, argues a further point: that the concept of design as allied to art can eas ily be misplaced or forgotten in an organisational situation where the concern is to produce a product. A Bauhaus or Memphis, even a postmodernist initiative, may not emerge from a tunnel of emphasis on products as products. This is where product design, along with architecture, has a place in the overall scope of Design and Art. There is an imagination within the desire to produce something novel. This is a field that allows the operation of graphic art, and a sculptured three dimensional impression that includes the artifact as well as the common consumer purchases. If modernism and postmodernism are currents, then they may be described as floating currents because they are difficult to locate precisely. The two currents interact at some points. In art, modernism may be said to date from about 1860, and became an orthodox school in the 1920s. Modernism tended to stress form more than content and to reject traditional esthetic values. It was very influential until about 1960, and then postmodernism came into vogue. It has been related to poststructuralist writers Jacques Derrida and Michel Foucault, whose writings embodied a radical relativism which was able to be used to deconstruct the status quo. It is important to note however that there have been 250 years of intellectual-literary-artistic alienation when from Rousseau onwards artists tried to stand aside from mainstream culture. Modernism and postmodernism are part of that overall movement (Murphey 1999). The Italian design group Memphis was a flash of artistic input to interior design. It is said to be part of postmodernism. The trend crystallized in Memphis was away from the decorative styles of the Arts and Crafts movement. Symbolism, pattern and of course ornament were relegated essentially to the modern era. The Bauhaus designs with their geometry dovetailed into a simplicity which in Italy focused on furniture design. The Memphis Group emerged. Austrian-born, Italian-educated Ettore Sottsass formed Memphis in 1981, with a loosely-formed group of designers. The designs that emanated out of the Memphis group included limited productions of unusual and functional designs, characterized by plastic laminated surfaces and bold colours and patterns.   The interpretation of the group has involved making a political statement: high and low classes should share perceptions and ideals. Meecham and Wood examine the proposition that as art itself has fundamentally changed in the modern period, so have ideas about it (1996, p.1). Postmodernism may be said to differ from modernism in that it returns art to a representation of the worldattempts to restore art to its external referencesRepresentational art is back, but it tends to be critical rather than celebratory, stressing bleak and shocking images rather than the beauty of nature or intimations of divine order (Veath quoted in Murphey, 1999). A group of designers of furniture and household accessories, who were known for erratic, illogical, avant-garde and anti-establishment style, Memphis in being concerning with juxtaposing reality infiltrated the world of the imagination, in a way that was deeper and different from the modern. There is a need to look back to compare with the modern, because in many ways this is a necessary context for the description of the postmodern. The Modernists had disliked decoration and colour, but Postmodernism used them with enthusiasm. Allegory, multi-historical and multi-cultural references came into new design. Memphis bad taste was an ironic bad taste. Pattern and ornament are characteristic of the works, just as they were alien to Modernism. The impression is kitsch, cheap and nasty materials, and bad taste throughout. Whether it is self-conscious or even self-mocking, the point is made that this is not modernism (Reed 1984). The bright and careless style of some of the Memphis design will have been trendy once, and some people will have worn them at some times. However these designs are bold and brazen. They seem directed to a middle class or intellectual section of society that likes to be overexpressive and does not care even if there are consequences for being like this. That is the impression I had, and that was the impression I gained from overhearing two possibly third year students who seemed to have generally quite mature attitudes on art. A group of designers of furniture and household accessories, who were known for erratic, illogical, avant-garde and anti-establishment style, Memphis in being concerning with juxtaposing reality infiltrated the world of the imagination, in a way that was deeper and different from the modern. There is a need to look back to compare with the modern, because in many ways this is a necessary context for the description of the postmodern. The Modernists had disliked decoration and colour, but Postmodernism used them with enthusiasm. Allegory, multi-historical and multi-cultural references came into new design. If accused of bad taste, Memphis would have said, Of course. Their bad taste was an ironic bad taste, but there was bad taste in their work. These attributes of Memphis no doubt related to its short-lived presence in the art world (Watson 2002). In a sense furniture design itself is an activity that can easily push against the boundaries of modernism, if only because small aspects of furniture design can jump past the outrageous modern stage into a stage which inverts and turns around artistic insights at will, lampooning commercial motives as it goes. The postmodern impulse that seems to be emerging from every joint is somehow trying to say, or saying, that this is something to sit on and it will probably hold you up, too, but you need to see it as something a little funny, a little amusing. Memphis asks not to be taken too seriously. This whimsical face of furniture design has a certain class aspect inasmuch as the poor and the working classes cannot afford to see their houses and what goes in them in terms of play. The question will be more often whether they can afford to buy furniture. Modern art and particularly postmodern art go beyond this basic complexion of need. Conclusion A striking thing that comes out of this survey of writing on the role of industrial design versus engineering design is the interdependence of the two. This may not mean an interrelated operation or a simultaneous operation involving the two aspects of engineering, but it is clear that to present an optimally designed product in the industrial sense means that it must work in the engineering sense. And engineering designers must be able to locate the device or consumer good within a framework of its production and ultimately its marketing and use. There are many articles on this issue that could have been referred to here, or summarised, or responded to in some way. However the coverage here is no doubt adequate to show how industrial and engineering designs are complementary. What has emerged most strikingly from the whole context of industrial design is its potential responsiveness to the culture in which it exists. It is possible to look back at various movements that have shaped the consumer products with which people are so familiar in their everyday lives, and where their parents have seen changes over the years. The Bauhaus, now a long time past, had a distinct and revolutionary approach to design. Memphis similarly had an avant garde approach which vanished into air. Whether such movements will resurface in some other form will probably not be the doing of the design engineer. But it may arise out of the imaginative design of the industrial designer. It may also arise as a resolution of forces in society that may flow conservatively for a time and then suddenly change direction. This can affect everyday objects-the hair dryer, the car, the television set, the computer and so on. It has certainly affected the miniaturised communication device, the m obile telephone. The fuel consuming, polluting yet status symbolic institution of the automobile will no doubt respond to pressures to change. There is an art in design that over time is likely to surface in different ways and in different places. In this context, the industrial designer along with the design engineer is likely to be closely involved.

Heart and Stone Therapy

322 Apply stone therapy massage 322 Apply stone therapy massage By Lucy Barnett By Lucy Barnett Task 1a * The importance of carrying out a detailed body analysis & relevant tests is so that you can pick up on any posture faults, avoid any areas which may be contra indicated and you are able to give them information on ways to improve their posture. It is important to carry out relevant tests such as cold or hot and sharp and blunt so that you are sure the client can feel the difference.This also prevents you from harming your client if they can feel something within the treatment which feels painful. * The importance of positioning the client correctly so they are as comfortable as possible and you aren’t causing them any pain or injury. It is important to be positioned correctly as a therapist so you prevent yourself from pain or injury if you consistently and positioned correctly this can result in repetitive strain injury. It is important to use the correct products, tools, equipment and technique because so the client can feel the best benefit from their treatment and it will not harm the client. * It is important to complete treatment records correctly so that you have on record if the client has any contra-indications which may prevent or restrict a treatment. You will also have on record anything the client may be allergic to. * It is important to complete the treatment to the satisfaction of the client so they go away feeling happy and return to you again in the future. Task 1bHistorical and culture background of stone therapy: The stones originated from Native Americans but they did not use them in massage. Stone therapy has been around for a long time but has been modernised through the years and now we use naturally shaped basalt pebbles and marble pebbles that have been cut to shape to deliver hot and cold temperatures. Four types of stones: Basalt stones: Hot stone, made from volcanic rock used all over the body. Should be recharged once a m onth in either; a bowl of salt water, in direct sunlight/ moonlight or burying in the earth overnight.Marble stones: cold stone, made from limestone should be recharged by leaving in sunlight/moonlight or burying in the earth overnight Marine stones: cold stone, made from sedimentary rock should be recharged by leaving in sunlight/moonlight or burying in the earth overnight. Semi-precious stones: can be used hot or cold, gem stones, usually used for shakra placing. Should be recharged; with reiki energy, leaving in sunlight/moonlight and cleansing in a bowl with other crystals. Physical and physiological effects of hot and cold stones: Effects of hot stones 1 Vaso-dilation – the blood vessels widen, bringing blood to areas of the body ie skin * Increased circulation – more oxygenated blood circulating * Increased metabolism – speeds up the rate of nutrients being utilised * Increased pulse rate – helps the heart pump efficiently * Increased cell metabolis m – speeds up the process of manufacturing new cells * Increased lymph function – speeds up the removal of toxins and waste * Relaxes the muscles – enables the therapist to work on the muscles without causing discomfort to the client * Reduces muscle tension Relaxes the mind * Different emotions may cause some clients to feel upset. Effects of cold stones 1 * Vaso-constriction – the blood vessels narrow, taking blood away from areas of the body, ie skin * Analgesic effect – natural pain relief released in the body * Reduces inflammation – excess blood is taken away from the area * Reduces histamine – reduces this irritant often present in stressed muscles, causing the muscles to relax. * Body pumped to the core organs, ie heart, lungs * Relaxes the mind * Reduces headaches Task 1cOne Fungal infection that would prevent the treatment: Ringworm One Bacterial infection that would prevent the treatment: Impetigo One viral infection that w ould prevent the treatment: Shingles One severe skin condition: Severe eczema Ten contra-indications that would restrict the treatment: 1. Diabetes 2. Epilepsy 3. High/low blood pressure 4. Piercings 5. Anxiety 6. Cuts 7. Abrasions 8. Bruises 9. Metal plates or pins 10. Recent dermabrasion Bibliography Task 1a – core unit’s book Task 1b – lastone therapy book Task 1c – notes taken in class

High School Essay Samples Fundamentals Explained

High School Essay Samples Fundamentals Explained Excellent anecdotes and individual insights really can draw in an audience's interest. It's a good idea to purchase essays from experts who do their very best to be sure that the quality is all up to standard. If you are looking for an agency that would not just write quality essays for you but also provide affordable pricing, then you've found one in us. Each detail of a specific subject plays an important part in developing a visual representation for such. Top High School Essay Samples Secrets A strong outline is likely to make the writing process much simpler. Write 100 words of a rather superior bit of writing will trump 1000 of really poor writing. A quick sentence is utilised to make the emotional resolution of the admission essay. Taking the lead from the previous bullet, be certain that your essay is genuine. As you start to compose your essay, bear in mind your reader is somebody who wishes to learn more about you. Don't forget to make abstract claims concrete, or so the reader knows just what you mean. Moreover, our English-speaking writers make sure every order has original content and a suitable structure. After all, you don't wish to provide your readers the incorrect interpretation. It's really critical to make a difference and show people that things don't need to be the way that they are. One of my favourite things about writing is that there isn't any correct or wrong answer. Don't cram in a whole lot of unnecessary words merely to make it longer. You could select a topic that you're not interested in and wind up straining to compose the appropriate notion. Possessing a crystal clear and structured plan is the foundation for any great bit of writing, and a college essay is the same. Bridget's essay is quite strong, but there continue to be a couple little things that c ould be made better. Our purpose is to supply you with a professionally written essay on this issue you require. When you think that it is totally finished, you're prepared to proofread and format the essay. All essays will have a certain topic that's either one you choose or one which is provided for you. A fantastic descriptive essay comes out of a knowledgeable and imaginative mind. The trick to writing a great effectiveA essay is to get the passion to write it. There's quite a few essays completed by them. You'll observe a similar structure in a lot of the essays. As a consequence, you prefer doing your essays by yourself. It is vital that the application essay is personal and distinctive. High School Essay Samples - What Is It? Getting admission into your beloved high school might be the desire of your heart. When you would like an excellent admissions essay, it's more than worth it to pay the little price we charge for the awesome quality we'll deliver to you. Its one of the most significant elements of your college application and it may be the hardest. In extreme circumstances, students may be quite so frustrated or disappointed in their results they may think about ending their lives. College hopefuls face a succession of tests on the course toward higher education. Colleges would like to find out what you're passionate about, and what exactly you'd increase the campus community. Many people think that high school entrance essays are rather simpler to write than college entrance essays, that's the reason there are fewer places where you are able to get assistance with higher school entrance essays. The structure of organization is quite spread, it is composed of many chapters in high schools around the nation. If you are searching for assistance with your essay then we provide a comprehensive writing service offered by fully qualified academics in your area of study. Don't be scared to speak to professors or professionals in the area.

Personal Statement For Self Exploration - 872 Words

The purpose of this memo is to perform self-exploration to gain a better understanding of myself and my career goals. In addition to providing insights into myself, this exercise will enable the comparison of my current situation to my future goals. Upon beginning my college education, I always thought I’d earn a degree and then figure out what I wanted to do with it. Now I understand the necessity of knowing myself better and formulating a plan prior to graduation. To understand myself better, it is important to first recognize my strengths and weaknesses. My greatest strengths are the following. I have an aptitude for learning new software systems quickly and efficiently. I have strong logic skills which aid in problem solving and troubleshooting. Lastly, I am never content with the level of knowledge I possess; I am always seeking to improve my knowledge in areas relevant to my career. To counter these strengths, my most important weaknesses are these. I sometimes struggle to work in teams, particularly with unfamiliar people. While fixing issues, I am often short-sighted in my efforts which can lead to future problems. I have great difficulty admitting mistakes. To advance my career, I must display my strengths and minimize my weaknesses while I work to overcome them. When selecting the type of organization I would like to work for, the way the organization treats their stakeholders and the environment are critical factors. Companies concerned with more than the bottomShow MoreRelatedPersonal Statement : Self Exploration1156 Words   |  5 Pages Self Exploration Paper Yifei Bai Arizona State University Introduction To have a clear future career plan, self-exploration would be the first step to take since those who do not know themselves well will also have no idea about where to begin their career or may be mediocre in their life (Rogers et al., 2008). Therefore, for aspiring college student, before completely stepping into the working stage, one shall specify his or her goal and make full use of the existed sources in schoolRead More385 Week One Essay example758 Words   |  4 Pagesthere to help not only the interviewer, but also the interviewee. These stages are here to help human service professionals to master these skills to help each client. The three stages in the model of interview would be exploration, insight/clarification and action. Exploration is helping the client explorer their feeling, problems or issues. The elements in this stage; *Attending behavior these are the listening skills as well as out attending skills. This would include eye contact verbal andRead MoreMy Reflection Of A Personal Early Childhood Education Philosophy878 Words   |  4 PagesIn this paper, I have developed a personal early childhood education philosophy statement. I will reflect and discuss my personal learning philosophy through topics such as: the purpose of education, how children learn best, what should be included in the curriculum, what environment children learn best in, what needs must be met for children to grow and learn, and how I can meet those needs. Every interaction with a child is important, and helps them to grow and develop. I want to create positiveRead More Quest for Wisdom Essay914 Words   |  4 Pagesmain segment of their lives to explain their philosophy and how they arrived at their conclusions. Though both conclusions represent individualism they are strikingly different. Thoreau values the doctrines of Tra nscendentalism, seeking ones inner self through Nature, while Frankl Existentialism values the interpretation of individual experiences and responsibility of ones actions. Thoreau spent years building his approach and developing his own beliefs. Born in Concord, Massachusetts, in July 1817Read MoreThe Taxonomy Of Career Decision Making Difficulties Workshop Essay1123 Words   |  5 Pagesdecision-making self-efficacy (Gati et al., 2013). Vet Center support staff will implement the workshop curriculum. Each staff member will receive 16 hours of training on career decision-making difficulties, the taxonomy workshop, and research validity, implementation, and reliability. The curriculum includes five full days of programming, seven hours per day, with the goals of: (a) preparing veterans for coping with changes in lifestyle, (b) enhancing self-esteem, (c) increasing decision-making self-efficacyRead MoreThe Social Construction Of Gender Essay1297 Words   |  6 Pagesasymmetrical strands of difference† (Lorder qt. Haraway, 68). â€Å"We Are All Works in Progress† by Leslie Feinberg is another article that discusses the ways in which gender and the feminine body is controlled by social constructions by writing from sie’s personal experiences as a transgender individual. In a world where people are given the limiting choice of pink or blue—female or male—, sie expresses that, â€Å"Each person should have the right to choose between pink or blue tinted gender categories, as wellRead MoreEmily Dickinson Essay821 Words   |  4 Pagescember 2012 Emily Dickinsons original approach to poetry results in startling and thought-provoking moments in her work Give your response to the poetry of Emily Dickinson in the light of this statement. Support your points with suitable reference to her poems. Emily DIckinson is a wonderful, idiosyncratic poet, whos original and powerful poetry is marked by startling and thought-provoking moments, defining Dickinsons poetry. Dickinson describes in shocking detail, moments of utterRead MoreMyers Brigg Type Indicator, And The Four Dimensions Of Personality Types1539 Words   |  7 Pagesconceptions work within the framework of Cognitive Behavioral Therapy (CBT). There are several methods for changing faulty thinking in reference to career issues. One of these includes clarifying goals so that they are precise, and identifiable. Explorations are done with the client, and from these, choices are formed. Coupled with the client’s choices, skills that need to be learned are assessed (Sharf, 2013). Equally important, it is necessary to address any inaccurate beliefs that are preventingRead More Theodore Roethke Essays1040 Words   |  5 Pagesand often pondered about and reflected on his life. This introspection was the topic of m uch of his poetry. His analysis of his self and his emotional experiences are often expressed in his verse. According to Ralph J. Mills Jr., â€Å"this self interest was the primary matter of artistic exploration and knowledge, an interest which endows the poems with a sense of personal urgency, even necessity† (Contemporary Authors 476). Roethke was born in 1908 in Saginaw, Michigan to Otto Roethke and HelenRead MoreQuestions On Organizational Culture And Leadership914 Words   |  4 Pagesbetter understand the true make up of an organization like the Mississippi Army National Guard. He uses key values that describe the organization and its makeup. His article is considered valid and reliable. Arthur, J. (2010) Of Good Character Exploration of Virtues and Values in 3-25 Year Olds. Charlottesville, VA: Imprint Academic, Philosophy Documentation Center The focus of the author is to explore the values of educating leaders in two specific ways. The first way is to provide research results